Don't use plagiarized sources. Stella sees for the first time that her sister is perhaps not quite mentally stable, as her emotions ride far out of sync with the content of the exchange. She feels her appearance/beauty is the only thing going for her as she constantly needs reassurance that she maintains a particular ‘young’ appearance. In the case of Blanche her need to drink further shows her need to escape from her situation and reality in general, having just been questioned by Stanley. Blanche accepts, hoping the drink will contain a shot of alcohol. Summary Stella and Blanche are in the bedroom on an August afternoon. As soon as Stanley leaves, Blanche asks if Stella has heard any rumors from Laurel. Offering Blanche a soda, Stella responds that she doesn’t like to hear such depressing talk. Lies/Honesty: Stanley mentions a man and place from Blanche's past and tests her honesty by asking about him. How should reader's interpret the above line? Stanley attempts to unsettle Blanche’s by asking about a man named Shaw, indicating that he knows about her shady past and that the illusion of gentility which she has surrounded herself with will soon be challenged by the ugly truths that Stanley has learnt from his contacts. This sexual desire seems to be a weakness for Blanche. She says ‘I never was hard or self-sufficient enough’ and here we being to learn of Blanche’s experiences and sullied reputation, although the pathos created does evoke sympathy for her as we see her (or at least she paints herself) as the victim of a cruel, harsh and unloving world. She reveals this in her confessions to Stella in this scene. Although we do not yet hear the Varsouviana or see the shadows on the wall, the cracked inside of Blanche's mind is beginning to show from her behavior on stage. Although ironically, it is the effect of Stanley and his actions on her mind that finally provokes her downfall., 12 2009. The Conflict Between Stanley & Blanche in a Streetcar Named Desire. Blanche is described as arriving in a streetcar a small agile method of transport compared to Stanley’s train-an unstoppable force that would take out anything in its way. Imagery ; Setting: Scene 5 of A Streetcar Named Desire is mainly set in the Kowalski household. ? Eunice and Steve’s quick reconciliation after their fight also underscores the notion that Stella and Stanley’s violent love is the norm in these parts. Blanche’s ‘…Of course he – he doesn’t know – I mean I haven’t informed him – of my real age! - she grasps at the straws of youth that she sees in the paperboy and countless other youths before him. Or, the kiss could indicate that Blanche has made these sexual advances toward younger men before. Blanche says that she wants a shot of alcohol to put in the Coke. This choice of idiom implies that Blanche is prostituting herself – not literally, most likely, but rather that she is using her body and her charms to buy stability and comfort and association in a cruel world, and she is aware that this is a commodity with its expiration date fast approaching. He knows of Blanche’s past and reputation, and tells Stanley much of the information he knows that he uses against her. It is suggested that Eunice is having trouble with Steve, shown through the stage directions ‘Eunice’s voice shouts in terrible wrath’ indicating her rage and anger towards her husband Steve, claiming him to have been unfaithful to her. Thus in this encounter between Blanche and Stanley, Blanche is seeing her own valued world disintegrate under the force of Stanley's attack. Instead of delving into her sister's emotional problems, Stella offers her a coke. After the teen leaves, her date arrives. It is not until later that we learn Blanche had once married a young boy and had been terribly cruel to him when he most needed her. Stanley, Blanche’s sister Stella’s aggressive husband, portrays strong tones of anger, rage, and frustration. Though we feel deeply sympathetic towards Blanche in this scene as she seems to reveal and honest side of herself (p. 69 speech) and further conveys her ideal of creating a better impression of reality through her self created ‘temporary magic’, this pathos is ultimately undermined due to manipulative nature. Furthermore, the fight between Steve and Eunice and their reconciliation represents another example of the numerous instances of domestic abuse followed by forgiveness that we find throughout the play. This theme can also be transferred to the music used in the stage directions of the play. The early reunion in the opening scene is joyful, and Williams’ stage directions convey genuine affection, however the palpable hostility between Stanley and Blanche forces Stella to choose between … Stanley Kowalski Stella’s husband, he is strong and good looking. Stella continues to be the gullible ‘foil’ to the other two characters as she represents the majority of us torn between the competing values represented by Blanche (the beautiful dreams / lies of aristocratic gentility) and Stanley (the vibrant, thrusting competitive nature of modern Capitalist America. 12 2009. In it, she suggests that she visit Shep in Dallas, and she claims that she and Stella have been amusing themselves with society parties and visits to luxurious country homes. Beyond this tension in Blanche’s character we can see that Shep is another male figure in the play that Blanche is appealing to. A particularly evident section of conflict in the play is over Belle Reve and Stanley’s “Napoleonic code”. When she mentions that she is a Virgo (aka "virgin"), Stanley laughs contemptuously. His “rat race” style of life doesn’t match with Blanches but has somehow converted Stella. It is similar to the legal documents present at the start of the play concerning Belle Reve, while the legal documents detailing the sale of the Belle Reve estate are true they reveal that Blanche’s pretentions and aristocratic grandeur are all unfounded. It began firstly with relatives, Belle Reve moving onto her sanity and being raped, and finally ending with her at a mental institute as proposed by her sister Stella. Mitch brings flowers and Blanche gaily accepts them, thus ending Scene Five of A Streetcar Named Desire. As the audience, we learn she is pregnant and is eventually torn between her love for her husband and devotion to her sister. Culture looks more kindly on female nymphomaniacs than male – Blanche does not appear to be a predator as she flirts with the paperboy, so much as sad and pathetic. He thinks that she is proper and refined. She is convinced that she must maintain her act if Mitch is to love her. This ‘dressing up’ of events and attempts to romanticize them, contrasts to Stella and Stanley’s relationship, which is blunt but pure. Blanche demands to know what people in town have been saying about her, but Stella has no idea what Blanche is talking about. Furthermore, Blanche’s desire for Mitch also reflects her ultimate need for comfort and to have her ‘existence admitted by someone’. Beyond this, this incident in the play goes to show the audience that Stella uses younger man as a means to build her own self-esteem and comfort herself as her looks have begun to fade. On pg. Lies/Honesty: Blanche tells Stella that she wants to deceive Mitch into wanting her. . But the arrival of Blanche, and her aristocratic ways annoys Stanley, as Stella begins to revert to her old ways. This, then, is Blanche's past life beginning to close in upon her. Blanche declares that he looks like an Arabian prince, then kisses him on the lips and sends him on his way, saying, “I’ve got to be good—and keep my hands off children. The scene ends with Mitch’s arrival and Blanche says “look who’s coming! Stanley (Stella’s husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his “opponent” Stella’s sister Blanche. He comes close to an outright accusation, but chooses to instead make sure that Blanche knows that he knows, and to let her sweat while wondering exactly how much he has been told. The themes of A streetcar Named Desire are, The Charater of Blanche in A Streetcar Named Desire In 'A Streetcar Named Desire' we focus on three main characters. Stanley goes on to say that the Shaw he met often travels to Blanche’s hometown of Laurel, Mississippi, and that Shaw claims Blanche was often the client of a disreputable hotel. ? She is very attracted to him sexually and tells him so. Blanche and Stanley, two characters of Tenessee Williams’ play A Streetcar Named Desire, represent two very conflicting personalities. Analysis The quarrel between Eunice and Steve reveals a relationship similar to that between Stanley and Stella. PhDessay is an educational resource where over 1,000,000 free essays are collected. “A Streetcar Named Desire works as a drama because of the conflicts between Stanley and Blanche.” Discuss.